Charley’s Lambs

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Some of the ewes at the farm had twins and that means a few extra lambs that were not getting fed by their mothers. That’s where a team of workers stepped in with their giant bottles of milk and hand fed them until they were old enough to eat on their own. As you can see, Charley has taken to a few of them. Or is it the other way around? Either way, there is plenty of affection going around.

It’s the first time that I’ve seen lambs act like dogs.

Here are more images of sheep to get you through the weekend.

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Do Ho Suh

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On two recent trips to Cincinnati, I had the opportunity to see Passage, the exhibition by Do Ho Suh, that is showing at the Contemporary Arts Center. I am really pleased that I went back for a second look. Suh’s work consists of reproductions of rooms, stairwells, appliances, sinks, tubs, and more from many of the different homes that he’s lived in over his life.  They are constructed of stiff fabric built over a wire armature.

As I walked through the exhibits, I was struck with a sense of cold nostalgia. Familiar items were faithfully reconstructed in fine detail, down to the labels inside the refrigerator. What was missing was any sense of human occupation or connection. I was struck by the scale of the effort and work. The light filtering through the fabric was gorgeous and the colors added to my interest. However, I could never quite lose a feeling of loneliness, sometimes even sadness.

And maybe that was Suh’s point. During his life, he has lived all over the world and I can imagine in the process he was never able to develop a sense of home. As always, I use the feel test when I walk out of an exhibition. Did I feel something? Good or bad, it doesn’t matter. I think Suh’s work passed the test with bonus points.

Here are some images to give you more insight into his work.

 

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Joshua Thomas McMurdo

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Josh recently surprised me with a week visit. You can safely bet that I was out of my mind with excitement. He and I share the passion of photography and we spent the week shooting all over southern Ohio and parts of Kentucky. Here he is ready to roll before one of our daily adventures. Yeah, I think I’ll claim him.

John Edward Moore, World’s Smallest Giant, Died On Saturday

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His death was not unexpected, but was a shock none-the-less. Partly because my Uncle Eddie spent eighty eight years bending life to his will and there was no reason to expect no less of his treatment of death. Indeed, though terminally ill for the last part of his life, he faced it head on, lasting far longer than anyone thought he could. Classic Eddie, he would only die when he was ready… doctors and hospice professionals be damned. Until then, he would continue to live life on his terms.

What does that even mean? Living life on your own terms could mean any number of things to many people. To Eddie, that often meant being irritating, impatient, and outspoken. He could be a complete jackass.

On the flip side, Eddie could be incredibly generous and thoughtful. He loved art, music, good food, and intelligent conversation. He was fearless and full of adventure. Eddie was driven. He was creative. He was human. He could listen and he could think. He was honest and a straight shooter. He loved his family. He loved his sister dearly and in turn, he loved her family.

For most of my life, he was my crazy uncle, to be tolerated with as much patience as I could muster. My family loved him and there was no doubt that he belonged to us. You see, my family loves characters and Uncle Eddie had character in spades. For many of us, he was the only relative that we really knew. He drove up from Florida to attend every family function and we looked forward to seeing him and learning of his latest adventures and antics.

Eddie could have remained my crazy uncle, but our relationship evolved a few years ago. During a long bout of unemployment, Eddie changed our relationship. I didn’t do it, he did. At a time when I was struggling with the problems of my own life, Eddie used photography, a passion we both shared, to reach out to me. He mentored me. He criticized my work and helped me to become my own photographer. He was generous of his time and of himself. He lent me equipment and we discussed technique and style.

It wasn’t long before we moved beyond photography. We had long conversations about family and politics. We talked about art. I don’t know how many hours we spent in art museums from Ohio to Florida. We grew closer and found that we liked and respected each other in a way we hadn’t before. In the last year, we ended each phone call and each visit with a heartfelt “I love you”. Yeah…I loved that irritating, impatient, crazy, wonderful old man.

Last year, I visited him at his home in Florida and on my last evening with him, he got out the good bottle of rum and made two very strong Cuba Libres. While we drank and the sun set, we swapped stories and told lies for hours. We watched the cars making long trails of light on the street below us and listened to a band playing in a band shell near the beach. I knew that he was dying and I knew to cherish the moment with him. I did then and I do now.

I started by stating the world’s smallest giant had passed. Eddie was a short slim man. It was the man he was and the memories he’s left us that make him a giant. Good bye Eddie. I miss you terribly, but I am comforted in the thought that you are finding new adventures with the giants that have passed before you. You will have them whipped into shape in no time. Try not to drive them crazy. I love you.

The New Mustache and the Agony of the Selfie

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It’s been a while since you’ve had a good look at me and I’ve grown a mustache since I created my last self portrait. Sounds like a good enough reason to set up the tripod and take a selfie.

I’m not one to take a lot of portraits of myself. It’s hard. There are the technical issues of setting up the gear and using a light stand as fill in so that I can set the focus and the exposure manually. The need to stand in the right spot and make adjustments until I am happy with the results. Then come the truly difficult parts of creating a self portrait. How do you stand, what kind of expression do you wear. How do I avoid looking like an idiot and make my personality come through? What should I do with my arms? What should I wear?

Twenty or so shots later, I have the image you see above and I am fairly happy with the results. And then the t-shirt begins to bug me. It pops out and draws my eye. It’s stark white in a portrait that is made up of gorgeous greys and charcoals. The eyes are not quite sharp enough. Did I say the t-shirt bothered me?

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Change out of the t-shirt, get dressed again. Re-check the gear Try to remember where I was standing, make adjustments. Try to not look like an idiot again and you can see the results above. Not as much personality, but by this time, I am tired and want to move on.

What do you think? Does the t-shirt bother you in the first image? Are the images too dark? I never question my judgement when I am creating portraits of others. Which is the keeper? Is the mustache a keeper?

This is one of the few times that I open my work up to your suggestions. Let me know what you think.

 

High Fashion

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This weekend’s adventures included a visit to the Cincinnati Museum of Art where the museum is winding down an exhibition entitled High Fashion.

Upon arrival, it didn’t take long for me to realize that I was one of only a handful of men enjoying the display of fashions ranging from the early 1900s to the 60s. But that is fine by me because the collection was stunning. The exhibition included dresses, shoes, hats, and other accessories on loan from the Brooklyn Museum’s costume collection.

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The shoe collection dating from victorian era and the roaring twenties was particularly fascinanting.

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Towards the end of the Exhibition, was this stunning red ball gown. Compared to the less luminous dresses that surrounded it, this dress stood out for its  bold red and lines. I was struck by the wonderful curves. This dress was made for a woman with classic curves, not a thin waif.

Combined with viewing an exhibition entitled After the Moment: Reflections on Robert Mapplethorpe at the Contemporary Arts Center and an amazing late lunch of Jerk Chicken at Island Frydays, and you could say that I had a great day.

As a side note, I made sure to ask the docent if photos were allowed. She laughed, stating that the museum originally banned photography, but they got so tired of telling visitors not to take photos, that they changed their policy and allowed cameras sans flash. Good enough for me!

Have a great week, folks.

Jason Morgan

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Jason Morgan is a local painter who is know for his portraits and hyper realistic still life paintings. His work has been showing at the Art Museum in Springfield, OH since mid summer and I saw him soon after the exhibition opened (You can see his work in the background of the photo). Over the weekend, I had some spare time and decided to take an hour and see if there was anything new at the museum. I was surprised to see Jason painting in the middle of the exhibit while answering questions from the gallery visitors. I’d say that was pretty good planning (pure luck) on my part.

As a non-painter, I was really interested to hear about the process of painting as well as what inspires him.the entire experience left me better educated as well as in a position to better understand his work. My hat is off to the folks on the museum staff that arranged for Jason to paint live and answer questions.

If you are in the central Ohio area, give the museum a visit. I think you’ll agree it’s time well spent. You can find out more about the museum here.